
Collider is the Citadel’s New Play Development Festival that celebrates and helps bring to life new stories and scripts for larger stages showcasing a mix of local artists and artists from across the country and beyond.
Since its inception in 2020, the Festival has featured readings by playwrights Charlotte Corbeil-Coleman & Hawksley Workman, Kareem Fahmy, Holly Lewis, Mieko Ouchi, the Punctuate! Playwrights Unit, Erin Shields, Kenneth T. Williams, Rosanna Deerchild, Amiel Gladstone, Arun Lakra, Lianna Makuch, Jovanni Sy, Louise Casemore, Collin Doyle, Marcia Johnson, Ursula Rani Sarma & Mick Flannery, Sue Goberdhan, Katherine Koller and James Odin Wade.
The Festival has also featured keynote speeches, panels and workshops led by Sherry Yoon, Michael Rubinoff, Erin Shields, Bob White, Yvette Nolan, Rachel Peake, Nina Lee Aquino, Romeo Candido, Carmen De Jesus, Séimí Campbell, Ken Cerniglia, Ursula Rani Sarma, Joe Slabe, Belinda Cornish, Steven Greenfield & Kate Ryan, Amiel Gladstone, Beth Graham & Ainsley Hillyard.
We hope you’ll join us for more exciting work and discussions around New Play Development all year round, and at our Collider Festival June 5-7, 2026!
2026 FESTIVAL SCHEDULE
Friday, June 5, 2026
PLAY READINGS
The first act of two new plays from the Playwrights Lab
Zeidler Hall
7:00pm
Free to attend. Donations accepted at the door.
The Great Canadian Maple Syrup Heist
The Great Canadian Musical
- Book by Mhairi Berg
- Music & Lyrics by Mhairi Berg & Steven Greenfield
It was $18 million worth of maple syrup. It was the largest heist in Canadian history. And it was, somehow, the most Canadian thing that has ever happened. The Great Canadian Maple Syrup Heist: The Great Canadian Musical is a new musical inspired by the true story of a meticulously planned theft from the Federation of Québec Maple Syrup Producers. Part true-crime caper, part love letter to this country’s gloriously specific quirks, it follows an unlikely crew of misfits who believed, with considerable justification, that the syrup was theirs to begin with. Fast-paced, funny, and unexpectedly moving, the musical blends Québécois folk, pop, and Broadway-style showstoppers with satire, suspense, and a subtle question at its heart: can you steal something that was already stolen from you? Court is now in session.
Come Hell Or High Water
- By Nicole Moeller
Seven parents are trapped at a child’s birthday party. (More so than usual.) A storm rages, roads close and holy rollers everywhere cry: the end is near. How will they protect the children? Fill more balloons, put up more streamers. Put on a skit, perhaps. Something explaining impending doom… but with a Disney theme. The earth shakes and the eerily happy couple starts to argue. A touch passes between two parents who profess not to know each other, and someone screams: “What have I done with my life?” The living room turns into a dance floor, circa 2003 and the animals flee the forest. Seven-year-old Zoey dances with glee: “Aren’t they cute, mommy?!” Come Hell or High Water is a wild ride, an apocalyptic comedy about the anxieties of parenting in a world out-of-control. It’s about clinging to each other, our children and hope.
Saturday, June 6, 2026
Musical Theatre Workshop
And Then They Sing: Musical Theatre Bookwriting
- Instructor – Nick Green
June 6, 2026
10:00am – 1:00pm
Citadel Boardroom
Ticketed Event: $50 + GST
There’s a lot more to musicals than jazz hands. Beneath the belting is a finely-tuned machine in which every beat, lyric, and transition must earn it’s place. This workshop explores the craft of writing the book for a musical: how to structure a story that demands music, how to collaborate with composers and lyricists, and how to build scenes that explode into song. Through discussions and practical exercises on musical theatre structure, song spotting, and world building, participants will learn how to shape compelling, singable narratives from the ground up.
This workshop is sponsored by Theatre Alberta as part of Workshops by Request: Hometown Series.
Playwrights Mixer
June 6, 2026
6:00pm – 7:00pm
Zeidler Hall Lobby
Free to attend.
Join us to meet and mingle with fellow playwrights, artists and theatre lovers who are passionate about new play development.
PLAY READING
A new play from the Playwrights Lab
An Agatha Christie Mystery A Comedy
- By Col Cseke
June 6, 2026
7:00pm
Zeidler Hall
Free to attend. Donations accepted at the door.
Did you know Agatha Christie mysteriously disappeared for 11 days in 1926?
That’s a true story. This play however… With the famed author missing hapless Constable Fitzwilliams is stationed at her home with strict orders to direct any potential witnesses to the real detectives, but Agatha’s ever-capable secretary Charlotte is not content to sit idle. Her attempt to interview a witness herself unleashes a parade of Christie caricatures: nosey neighbours, faux sleuths, and false confessors all clamouring to be a part of this great mystery come to life. When Arthur Conan Doyle offers to “help” by leading a seance it becomes clear the only person who can shed any light on the disappearance may just be Agatha herself. This new Canadian farce is a loving and deeply unserious tribute to the Queen of Mystery.
Sunday, June 7, 2026
Playwriting Workshop
The Fornes Workshop
- Instructor – Mariló Núñez
June 7, 2026
10:00am – 1:00pm
David D. Bentley Salon
Ticketed Event: $50 + GST
The Fornes Workshop, led by Mariló Núñez, is a decentralized playwriting workshop that employs Maria Irene Fornes’ anti-Aristotelian approach to dramatic writing. In this method, a writer comes to the workshop with a blank slate; there are no preconceptions about what the play will be, as the process is intuitive and improvisational. Through centering movement, visualization, drawing, found objects/words, sense memory, and collective writing, participants will explore unique ways of developing characters and stories for the stage. Wear comfortable clothes you can move in, indoor runners, and bring 1-2 of your favorite plays in hard copy, as well as paper, notebooks and writing utensils.
Maria Irene Fornes (1930-2018) was a Cuban-American playwright, director, and teacher. She wrote over 40 plays and won nine Obie Awards. She taught her playwriting method at INTAR, where she founded the Hispanic Playwrights Lab in New York City.
This workshop is sponsored by Theatre Alberta as part of Workshops by Request: Hometown Series
PLAY READING
A new play from the Playwrights Lab
Chula
- by Alexandra Lainfiesta
June 7, 2026
2:00pm
Zeidler Hall
Free to attend. Donations accepted at the door.
Chula is a bold, music-infused solo performance that begins in a striking black-and-white backstage world in 2008, where Aria prepares to premiere the first mariachi opera in Canada. As the haunting strains of “Cucurrucucú Paloma” begin – a song that has followed her like a ghost since childhood – we are swept back to the neon and fluorescent world of 1980s Guatemala and mid 90s Edmonton, tracing a life shaped by migration, survival, and the pressure to assimilate. Performed by a single actor in both English and Spanish, Chula brings to life a chorus of characters – some who understand each other, and many who don’t – capturing the humour, tension, and heartbreak of living between languages. Blending music, storytelling, and theatrical transformation, the piece asks: what is your voice when you no longer know which language is the one truest to who you are?
Playwrights Mixer
June 7, 2026
6:00pm – 7:00pm
Zeidler Hall Lobby
Free to attend.
Join us to meet and mingle with fellow playwrights, artists and theatre lovers who are passionate about new play development.
PLAY READING
A new Citadel adaptation commission
Darcy & Wickham
- By Belinda Cornish
- Based On The Novel Follies Past, By Melanie Kerr
June 7, 2026
7:00pm
Zeidler Hall
Free to attend. Donations accepted at the door.
For shy, demure Georgiana Darcy, the prospect of her first London season is intimidating beyond words. That is, until her childhood friend, George Wickham, reappears in her life, igniting a spark of passion which promises to bloom into the match made in heaven of which she has always dreamed. Ah, but the path of love never did run smooth… Based on the backstory so tantalizingly hinted at in Pride and Prejudice, Darcy & Wickham explores the true source of the enmity between one of literature’s most renowned romantic heroes, Mr. Darcy, and his nemesis, the dashing Mr. Wickham. From these seeds flourishes a sweeping new romantic comedy, featuring many familiar characters beloved of Austen fans, as well as a host of hilarious fresh faces. Darcy & Wickham is a fleet-footed carriage ride, from gracious gatherings in Grosvenor Square to a deathbed vigil in a country inn, from the first flush of blushing love to the brink of a perilous elopement. Passion rails against propriety, and duplicity disrupts decorum, in a tempest of intrigues and affairs barely contained by the corsetry of Regency England.
Tonight’s reading is co-presented with Script Salon
