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Burning Mom

Shows > Burning Mom
Feb 14 - Mar 8, 2026
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Burning Mom

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In this inspiring comedy, Dorothy, a 63-year-old widow, realizes life is too short to delay her dreams. Determined to honour her late husband’s retirement plans, she takes their RV on an extraordinary road trip to Burning Man—a weeklong culture festival in the desert with no plumbing. Through hilariously challenging parking lessons, quirky encounters, and moments of self-discovery, she rekindles her adventurous spirit and finds courage she didn’t know she had. This heartfelt odyssey celebrates art, human connection, and the beauty of small moments. Dorothy’s journey will leave you laughing, crying, and ready to embrace life’s unexpected adventures.

Cast & Creative Team

Susinn McFarlen

Dorothy

Susinn McFarlen

Dorothy

Other Theatre: Susinn has worked across the country in theatres including the Yukon Arts Centre, the Palace Grand in Dawson City, the Centaur, the Belfry, the Citadel, Western Canada Theatre, Alberta Theatre Projects, Prairie Theatre Exchange, Manitoba Theatre Centre, the Caravan Farm Theatre, Canadian Stage, Touchstone Theatre, the Richmond Gateway, the Playhouse, and Bard on the Beach. 

Susinn has been nominated for eight Jessie Richardson Awards and has won three: for the leading roles of Hello, Dolly! at the Playhouse, Menopositive: The Musical at the Firehall, and most recently Burning Mom at the Arts Club. Susinn is a co-founder of WET INK COLLECTIVE, an organization whose mandate is to promote gender equity in film and on the stage by mentoring and supporting women writers. 

When I heard back in May of 2021 that there was a play being developed called Burning Mom about an older woman who goes to Burning Man, I wanted to be in it even before I’d read it. Call it instinct, or intuition, but I thought this one was meant for me. I contacted Mieko, who I didn’t know at the time, and asked her to send me a copy of the script, but alas, it was early days so she wasn’t ready to send it out. But here we are, almost 4 years later, and in a few moments I will be standing on the stage in front of you, telling you Mieko’s wonderful story. I have to thank my family, especially my best friend and ex, Kevin McNulty, with whom I share two amazing kids, Lucy and Dylan. God knows we tried to keep them from this business, but to no avail. Both of them, all of us now, are trying to make a living telling stories. What can I say – we are the lucky ones. Thanks for coming, and thanks again, Mieko. What a wonderful tribute to your mother you have written. 

Mieko Ouchi

Director/Playwright

Mieko Ouchi

Director/Playwright

Citadel: As Director: Pride and Prejudice, A Brimful of Asha. As Assistant Director: Disney’s Frozen, A Christmas Carol.
Other Theatre: As Director: Burning Mom (RMTC/Belfry/Arts Club); Little Red Riding Hood (Calgary Opera); Alberta Kitchen Party (ATP); Songs My Mother Never Sung Me (Concrete). As Playwright: The Silver Arrow, Nisei Blue, The Blue Light, The Red Priest.
Mieko is Associate Artistic Director at the Citadel Theatre, before that she was in Artistic Leadership at Concrete Theatre for 31 years. She has been recognized as a Finalist for a Governor General’s Literary Award for Drama for The Red Priest, and was a 2025 Finalist for the Gina Wilkinson Prize. She received the 2023 Lieutenant Governor of Alberta Distinguished Artist Award.

Patrick Rizzotti

Set Designer

Patrick Rizzotti

Set Designer

Other Theatre: Design credits include world premieres and designs throughout the United States, Canada, and Europe for companies including Pittsburgh Opera, Vancouver Opera, Pi Theatre, Premiere Stages, Florida Rep, and numerous Off-Broadway productions in NYC.
Film & TV: Credits include Art Direction for America’s Got Talent, The Dr. Oz Show, and The Today Show.
Patrick has received the USITT Scenic Design Award, had his work presented as part of the OPERA America Director-Designer Showcase, and is a Lincoln Center Director’s Lab Alumni. MFA: Carnegie Mellon School of Drama. Memberships: IATSE ADC 659 and USA 829. patrickrizzotti.com

Kirsten McGhie

Costume Designer

Kirsten McGhie

Costume Designer

Other Theatre: Kirsten started with the Arts Club in 2009, working in the props department. She accepted the position of Assistant Head of Wardrobe for the 2013–2014 season, and the following season she became the Head of Wardrobe.
Kirsten has worked as a designer and builder with many companies, including Leaky Heaven Circus, New World Theatre, Mortal Coil, The Electric Company Theatre, UBC Theatre, Studio 58, and the Vancouver Opera. Kirsten has also worked to assist internationally renowned visual artists Geoffrey Farmer and Brian Jungen with the execution and installation of their works of art, and she is the resident Burner.

John Webber

Original Lighting Designer

John Webber

Original Lighting Designer

Other Theatre: Selected credits: The Wizard of Oz, Chelsea Hotel, The Sound of Music, No Exit (Western Canada Theatre); Rigoletto, The Marriage of Figaro (Vancouver Opera); Forgiveness, Kinky Boots, The Great Leap, The Matchmaker, Angels in America, Parts One and Two, Onegin, Do You Want What I Have Got? A Craigslist Cantata, Scar Tissue, Venus in Fur, Black Comedy, Saint Joan, Master Class, Philanderer, Becky’s New Car, Age of Arousal, Burning Mom (Arts Club).
John is honoured to be working with such a wonderful group of artists. A longtime designer of both sets and lighting, he has had the privilege of working with some of Canada’s most talented and adventurous artists.

Ted Roberts

Tour Lighting Designer

Ted Roberts

Tour Lighting Designer

Other Theatre: Lighting Design: Reflections on Crooked Walking (Firehall Arts Centre); It’s a Wonderful Life (Persephone Theatre); Cruel Tears, Starting Here, Starting Now, The Cull, Beneath Springhill, Noises Off, The Birds & the Bees, Thanks for Giving (Arts Club).
Resident designer for the Arts Club since 1983.

Ashley Au

Composer & Sound Designer

Ashley Au

Composer & Sound Designer

Citadel: Burning Mom, Sexual Misconduct of the Middle Classes, Trouble in Mind.
Other Theatre: Casey and Diana (Theatre Aquarius); Little Women, The Lehman Trilogy, among men (TPM); Orlando; 2022/23 National Mentorship Program; The Year of Magical Thinking (Prairie Theatre Exchange).
Training: B.Mus (Jazz Performance) Brandon University, School of Music. Ashley Au (she/they) is a Winnipeg-based bassist, composer, sound artist, arranger, and queer creative. A multifaceted musician, Ashley specializes in the upright and electric basses—performing, touring, and recording extensively.

Kim Clegg

Projection Designer

Kim Clegg

Projection Designer

Other Theatre: Brimful of Asha (Citadel Theatre); Songs My Mother Never Sung Me, Paper Song (Concrete Theatre); Burning Mom (Arts Club).
Film & TV: Anash and the Legacy of the Sun-Rock (APTN); Equus (CBC, The Nature of Things).
Innovation in the Arts Award (Edmonton Mayor’s Evening); Distinguished Alumni Award (MacEwan University); Best Animation award, AMPIA. Founding Board Member of the Alberta Post Production Association.

Ana Camacho

Assistant Set Designer

Ana Camacho

Assistant Set Designer

Other Theatre: As Set Designer: TomorrowLove (Telus Studio Theatre, UBC); Ring of Fire (Arts Club); Anatomía del Desastre (Concept Design).
Film & TV: As Art Director: El Encargo (short film). As Production Designer: Manos (Concept Design).
Ana is a Colombian industrial designer who has explored multiple creative approaches across interdisciplinary fields which led her to connect her background with the performative arts. She has experience as an art director and set designer in theatre, film, and commercials. Currently, Ana is a MFA student specializing in Scenic Design at UBC.

Rebecca Mulvihill

Stage Manager

Rebecca Mulvihill

Stage Manager

Other Theatre: Ten seasons with Bard on the Beach; The Father, Bunny, Stupid F*cking Bird, Fairview, The Amaryllis (The Search Party); Disney’s Frozen, Burning Mom, Dolly Parton’s Smoky Mountain Christmas Carol, Beneath Springhill, The Cull, The Wedding Party, Topdog/Underdog, The (Post) Mistress, The Shoplifters, King Charles III, Good People, Educating Rita, Do You Want What I Have Got? A Craiglist Cantata (Arts Club); productions with Music on Main, Théâtre la Seizième, Electric Company, Vancouver Opera, and many more.
Rebecca is a graduate of the University of Victoria.

Isabelle Martinez

Apprentice Stage Manager

Isabelle Martinez

Apprentice Stage Manager

Citadel: Legally Blonde
Other Theatre: The 90’s, Jersey Boys, Flashback Fever, Grease, Canada Rocks! The Reboot (Mayfield Dinner Theatre); Dance Nation (SkirtsAfire Festival); Civil Blood: A Treaty Story (Thou Art Here Theatre).
Much love to her team, and to her partner, Everett.

Venue and Guidelines

RICE
THEATRE
EVENING SHOWS:
MATINEES:
RUNTIME:
7:30 PM
1:30 PM
2 hours 10 minutes
Seating Map | Directions
Act I: 60 min
Intermission: 20 min
Act II: 50 min
Age Recommendation*: 14+

+ CONTENT ADVISORY*

  • Mature content (including drug use)
  • Coarse language
  • Loss & bereavement
  • Theatrical effects (including water-based haze & fog, flashing lights, use of pyrotechnics)
  • Parental guidance is advised
*Age recommendations and content advisories have been thoughtfully prepared by Citadel Theatre staff. However, we understand that individuals may engage with content in different ways. We encourage patrons to consider their own comfort levels, as well as the suitability for any accompanying youth, before attending.

+ SPECIAL PERFORMANCES

  • February 19, 2026 7:30 pm Press Night
  • February 28, 2026 1:30 pm ASL Interpreted / Sensory Informed Performance
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Production Info

Written and Directed by Mieko Ouchi

An Arts Club Theatre Company, Vancouver production

CAST
Susinn McFarlen Dorothy
CREATIVE TEAM
Mieko Ouchi Director
Playwright
Patrick Rizzotti Set Designer
Kirsten McGhie Costume Designer
John Webber Original Lighting Designer
Ted Roberts Tour Lighting Designer
Ashley Au Composer & Sound Designer
Kim Clegg Projection Designer
Ana Camacho Assistant Set Designer
Rebecca Mulvihill Stage Manager
Isabelle Martinez Apprentice Stage Manager

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